Kara Kartal

 
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Kara Kartal India Musical Instruments

Code: Kartal
Quantity Available - 1
Mass Weight : 0.50kg
Shipping Weight : 1kg (2.2 lbs)
Price: $41.94
Sale : $37.75
You Save: 10%
 

 
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Product Feature Kara Kartal
 
* Kartal made of wood with small metal zingles
* Size
: length-8.5 inches, width-2.25 inches
* Perform Puja at home
* Handmade by wood craftsmen from Patiala in Punjab in North India
* Shipped in 48 hours from Gurgaon, a suburb of New Delhi, India
 
 Product Description
 

The kartal is also known as khartal. This too is an ancient instrument. It has always been a favourite with saints and seers. Even today we find the kartal being used in temples and gurdwaras. According to S Bandhopadhyaya in Musical Instruments of India kara means hand and tala means clapping, i.e., the instrument played by hands to keep rhythm in devotional song, kirtana and dance. Despite being used for devotional music it has carved an important place for itself amongst the exponents of folk music in Punjab. The contemporary rural bhangra dancers sport the toombi or iktara in one hand and khartal in the other while dancing. Meera Bai attained salvation by singing devotional songs using the toombi in one hand and kartal in the other. This instrument even today accompanies bhajans, hymns, or mournful songs on sad occasions. A pair of wooden castanets with little bells attached to them was the earliest form of the kartal. Kartal comprises two similar shaped wooden pieces and is approximately eight to twelve inches long and two to three inches wide. Small round brass pieces are affixed over these wooden pieces. One of the pieces has a space for the thumb and the other to hold four fingers. It is played by the same hand.
                                                                                         


Development of Indian Music
 

There is a lot of music in India as also in every other part of the world. It is not posiible to trace the whole history or to set it in a proper perspective. It deals mainly with the sound or sounds which are pleasing and fascinating to the ear.
It is possible to divide sound in small parts. The smallest part of a sound is known as Shruti. Shrutis, when combined in a suitable manner, form notes or swaras.
How did shrutis come into being ? How, why or when notes formed ? Who was responsible for forming and developing those notes ? These questions are relevant as replies to these questions will help us in understanding the true significance of music.
Shrutis and notes are the means to transform natural music into a regular form. That transformation enables us to enjoy the natural sound as and when we desire by combining the shrutis and notes in a systematic manner for purposes of singing. That combination of shrutis and notes should be such that all human beings, without any exception, may sing and enjoy those notes. Not only that. It should be possible for every human being not only to sing for his own enjoyment but also for the enjoyment of others including the birds and beasts.
According to the Indian culture, music is meant for self-enjoyment. It is also considered as a means for unification of soul with the Almighty Bhagwan. That is why Hindu ascetics and mendicants used to sing songs and hymns in praise of God musically. They when used to sit in samadhi and concentrate on his worship was through music. That is why the history of Hindu or Indian Music begins from the day shrutis came into being and notes were formed with the combination and permutation of those shrutis. For the fixation of that very period, we begin from the very first historical date line of India.

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